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所给评分： 8
The important distinction is that "Hubad" in the title is a verb, not an adjective; it means "to strip" and NOT "naked". Plenty of bumping and grinding here, but none of it gets to the point of full exposure.
Such a premise is doomed to be disappointing. Thus, the video hardly satisfies, even though it shows us quite a lot: skin upon skin of about eight lean dancing men spreading themselves all over the floor, turning and twisting, with some great, unprecedented dick-to-dick touching -- under the briefs, of course. In the final segment, there's a quick peek-a-boo of a hefty shaft followed by some charcoal-dark pumping, but it's too little, too late for a climax.
Essentially, Hubad is a conceptual dance performance. Divided into three "lessons" on the how-to's of stripteasing, a group of men will first demonstrate the dance onstage, followed by story-type suggested "applications" for real life -- one application is man-to-man (such as a man seducing a stranger on the alleyway via striptease), another is man-to-woman (such as an office guy seducing an office girl during a slide presentation), but both portions are quite gay anyway. What keeps the stage show less-than-explosive is how mechanical the performances can seem. Because everyone onstage is doing the same thing at the same time, the action doesn't gather primal steam. Robots aren't as sexy as, say, an unpredictable, spontaneous animal moving about as if possessed by his raw instincts. A truly moving sexual dance number seems to require a different kind of energy.
At least there's wall-to-wall eye candy. Johnron Tanada is a star, though his basket appears more menacing (read: big) in the Kanto Boy segment of Provoq than here. A couple of the dancers could be stars too, but this is not the video to do it for them. A star is created by packaging a solid personality, as in the strategy of Provoq, last year's video that launched instant sex idols.
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